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Bach's church music in Latin
Church music in Latin by Johann Sebastian Bach comprises about ten compositions, all composed during his Leipzig period. As a Lutheran church musician, Bach was more devoted to the composition of sacred music in German, writing hundreds of liturgical compositions in that language, and for instance also producing a German version of Pergolesi's Stabat Mater. Compared to Lutheran practice elsewhere, an uncharacteristic amount of Latin was however used in church services in Leipzig:〔Spitta, Philipp. ("Book V: Leipzig, 1723-1734" ) in ''Johann Sebastian Bach: his work and influence on the music of Germany, 1685–1750'', translated by Clara Bell and John Alexander Fuller-Maitland, In Three Volumes, Vol. II. London, Novello & Co, 1884. p. 264〕 it included music on Latin texts being performed on ordinary Sundays,〔Spitta 1884, p. 266 ff.〕 on high holidays (Christmas, Easter, Pentecost), and the Magnificat also on Marian feasts (Annunciation, Visitation, Purification).
In Lutheran service, a Missa was a setting of only Kyrie and Gloria. Such a mass consisting of only Kyrie and Gloria is for that time period sometimes indicated as Missa brevis (literally: "short mass"). In 1733 Bach composed such a Missa brevis for the Catholic court in Dresden, however in an extended setting. In the late 1730s he again composed four Missae breves, mostly parodies of earlier cantata movements. At the end of his life he expanded the Missa for Dresden to his only setting of the complete Mass ordinary, the Mass in B minor.
==Magnificat==
Bach composed the Magnificat in E-flat major, BWV 243a, in 1723, and then revised it in 1733 to the better known Magnificat in D major, BWV 243.
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